It seems as though the new department chair has some interest in digital printmaking, and the teacher of my printmaking class perhaps also. It may therefore be easier than I had thought, this business of doing fractals and school at the same time. Can I be brave enough to do it?
In the meantime, I'm experimenting with a newly-published coloring method with an entertaining name: Trap the Light Fantastic. I'm finding it frustrating, though. It seems potentially capable of making some interesting shapes, but there are vastly too many options, and no way of telling which of them will do anything worthwhile. So far I've spent an awful lot of hours just turning things into hideous static, passing through one or two almost-good effects on the way, and finally giving up without even saving the parameters.
I think I'm just somebody who likes to have really tight control over my tools all the time, and I don't enjoy the blindly-blundering-into-things approach. Perhaps I should try to lighten up, instead of always wanting to know exactly what is going to happen when I push the button. Or maybe it's just too big and unwieldy a coloring after all.
Anyway, here's one of the few things I did save.
City in a Bubble
Julia, with four layers of Trap the Light Fantastic.
